Existence precedes essence: humans are not born with a purpose, but must create themselves through continuous, unburdened choice.
Human beings are radically free, lacking any pre-determined blueprint or divine purpose, which means we are entirely responsible for what we become through the choices we make.
This is for anyone who feels paralyzed by the weight of choice, the "crisis of meaning," or the feeling that life is a series of arbitrary actions. Sartre solves the problem of moral vertigo—the anxiety we feel when we realize there is no rulebook for life. After reading this, you will be able to identify "Bad Faith" in your own life (the excuses you make to avoid responsibility) and move toward an authentic existence where you own your actions without hiding behind social roles or biological determinism.
Sartre argues that for human beings, existence precedes essence. To understand this, look at a manufactured object, like a letter opener. Before it was made, the creator had a concept of it (an essence). It was designed for a purpose. However, a human being appears on the scene, exists, and only afterwards defines themselves. There is no "human nature" to fall back on; there is no pre-written script for what a "good" or "successful" human should be.
Because there is no blueprint, you are "condemned to be free." This freedom is not a gift; it is a burden because it implies total responsibility. If there is no God to provide a moral compass and no biology to dictate your desires, you are the sole author of your values. Every action you take is a vote for what a human should be.
The logic follows that because we are free, we are constantly in a state of "becoming." You are not a "student," a "parent," or a "worker" in the sense of a fixed identity; these are roles you perform. The moment you stop acting, the identity vanishes. Therefore, the only thing that is real is your project—the continuous movement of your choices toward a self-defined goal.
What it is — Unlike objects, humans exist first and define themselves later. There is no inherent "humanity" that dictates how you should act. Why it matters — It strips away the comfort of destiny. You cannot blame your upbringing, your genes, or "fate" for who you are; you are the sum of your actions. In the book — Sartre contrasts the "paperweight" (an object with a clear purpose) with a human being (a being who must create their own purpose).
What it is — Freedom is not just the ability to choose between options; it is the ability to choose the very values by which you judge those options. Why it matters — It means you are always responsible. Even choosing not to choose is a choice. You cannot escape the fact that you are the source of your own meaning. In the book — Sartre describes the "anguish" of the individual who realizes that nothing—not even their past—determines their future.
What it is — The act of lying to oneself to escape the overwhelming weight of freedom. It is pretending you "have" to do something because of your job, your social status, or your personality. Why it matters — It is the primary way humans survive the anxiety of existence. We treat ourselves as objects (things) rather than subjects (free agents). In the book — The famous example of the waiter who plays at being a waiter—moving with too much precision, being too "waiter-like"—to convince himself that his identity is fixed by his job.
What it is — The moment you realize you are being watched by another person, you become an object in their world. Why it matters — Our identity is partially constructed by how others see us. We are "frozen" into a definition by the gaze of the Other. In the book — Sartre describes a man sitting alone in a cafe who realizes someone is watching him. Suddenly, he is no longer a free subject; he is a "body" in a space, defined by the observer's perspective.
What it is — Facticity is the "facts" of your life (where you were born, your body, your past). Transcendence is your ability to consciousy project yourself beyond those facts. Why it matters — To be human is to be both. You are a body in a room (facticity), but you are also the consciousness that can imagine being elsewhere (transcendence). In the book — Sartre argues that "Bad Faith" occurs when we pretend we are only facticity (e.g., "I can't help it, I'm just a grumpy person") or only transcendence (e.g., "I am a hero," while doing nothing to prove it).
Use this to identify where you are lying to yourself to avoid the discomfort of choice.
Use this to move from "Who am I?" to "What am I doing?"
Sartre describes a waiter whose movements are slightly too stylized, whose personality is too "waiter-ish." He is performing a role to escape the reality of his own freedom. The Lesson: We often perform roles to convince ourselves that our lives are predetermined, making them easier to endure.
A man sits alone in a theater, enjoying his own internal thoughts. Suddenly, he realizes someone else is there. He becomes aware of himself as an object in the world of another. The Lesson: Our self-consciousness is often sparked by the "Look" of the Other, which turns our fluid freedom into a fixed identity.
Sartre uses the analogy of a paperweight to describe an object whose "essence" (to hold down paper) precedes its physical existence. The Lesson: Humans are the only beings whose "existence" comes before their "essence." We are the only things that are not "made" for a purpose.
"Existence precedes essence." The fundamental starting point of existentialism: you are born as a blank slate of consciousness.
"Man is condemned to be free; because once he is thrown into the world, he is responsible for everything he does." Freedom is not a choice of options; it is the inescapable responsibility of authorship.
"Bad faith is the act of pretending that we are not free." (Paraphrased) We use social roles and biological excuses as shields against the terrifying responsibility of our own choices.
This summary is based on the core tenets of Sartre's existentialist philosophy as presented in his major works (including Existentialism is a Humanism and Being and Nothingness). I am highly confident in the definitions of "Bad Faith," "Existence precedes essence," and "Facticity." The specific examples of the "waiter" and the "man in the theater" are standard pedagogical tools used to explain Sartre's work. However, because Sartre's writing is dense and ontological, some of the nuances of his "Being-in-itself" vs "Being-for-itself" distinctions are simplified for the sake of practical application. Readers should consult Existentialism is a Humanism for a more accessible entry point into these specific themes.
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